A E7 : . . . : . . . : . . . |-----3-------------------|-----3-------3------------|--------------------------| |-----2-----2-------------|-----2-------2------------|------3---3-3---3---------| |---------2-------23232---|---------2-------232323---|------------------3p2-0---| |-------2-----------------|-----------2-----------0--|----0---------------------| |-0-----------0-----------|-0-----0------------------|--------------------------|
E B
I got the key to the highway,
E A
I feel bound to go.
E
I'm gonna leave here running;
B E
Walking is most too slow.
I'm going down to the border
Woman, where I'm better known.
Well you ain't done nothing but
drive a good man from his home.
Kiss me one, one time more mama
One time before I go,
When I leave this time I
won't be back no more.
G C G
Jesus
C G C G
met the woman
C G C G
at the well,
C G C G C
at the well
C /g /c
Jesus
/g /c /g /c
met the woman
/g G C G
at the well,
C G C G
at the well
C Em/b /e /b
And he told her
/e C
everything
G
that she had done
A
A D Dsus4 D : . . . : . . . : . . . : . . . |-----0-----0-0---|-----0-------0---|-----5-----5-5---|-5---5---5---5-5-|
C F C
Was on the Blue Ridge Mountain, there I'll take my stand
F C
Was on the Blue Ridge Mountain, there I'll take my stand
F C
Rifle on my shoulder, six-shooter in my hand
C G C
Lord, Lord, I've been all around this world.
Hattie, oh Hattie, come out and by the door
Hattie, oh Hattie, come out, come out and by the door
'Fore I have to step in with my .44.
God knows, I been all around this world
Trad. (this version attributed to Rev. Gary Davis)
Played by Bob Dylan on the so-called Minnesota Party Tape II (May 1961) and Minnesota Hotel Tape (Dec 1961)
Capo 2nd fret (sounding key D major)
Performed by Bob Dylan on his first major gig, in Carnegie Chapter Hall, Nov 4, 1961, and during his longest gig, the Toad’s Place concert Jan 12, 1990.
the tremolo intro is used between the verses
Intro (w/harp): E A E : . . . : . . . : . . . |-------------------------|-------------------------|-------------------------| |-------------------------|-------------------------|-------------------------| In most of the following |-------------------------|-------------------------|-------------------------| verses the first four |-------------------------|-2---2-4---4-5---5-4---4-|-------------------------| bars are played E
A D : . . . : . . . : . . . |-------------------------|-------------------------|-------------------------| |-------------------------|----------/3-5--\3---2---|-3-----------3---3-------| |-------------------------|----------/4-6--\4---2---|-2---------2h4---2---2---| |-------------2-----4-2---|-----------------------2-|-4-------------------2---| |-0--------/4-----------4-|-0-----------------------|-------------------------|
G /b
That big eight-wheeler, rollin' down the track
/d /f
Means your true-lovin' daddy ain't comin' back
C G
'Cause I'm movin' on, I'll soon be gone
D7 C
You were flyin' too high, for my little old sky
G
So I'm movin' on.
G /b /d /f
Oooh, ooh, ooh, ooh
C G
Movin' on, movin' on
D7 C
Oooh, ooh,
G
I'm movin' on
But someday baby, when you've had your way
C Dm I'm In The Mood For Love G C Simply because you're near me Em7 D#m7 Dm7 Funny, but when you're near me G/f C I'm in the mood for love.
| , . , . , . , |-----7-10-8-7------------------------|- |-----8--------8----------------------|- |-----9----------9-7------------------|- |--------------------10-9-7-----------|- |---------------------------10-8-7----|- |----------------------------------10-|-8 ..love
Heaven is in your eyes
